Why do they do it?
Abdulqadir Hasan, a senior columnist with the Urdu Daily Express, recently wished to chide Prime Minister Nawaz Sahrif concerning what Hasan thought had been a fruitless trip to the United States. So he began by talking about the clothes that the P.M. and his entourage wore during that trip. Too many suits, too many new neckties, Hasan sneered. Learn from the Americans, he thundered. According to Hasan, President Obama also wore a similar outfit, but that black suit was “probably Obama’s only suit.” He then went on: “A little while back, when an American President named Reagan got shot at, the Security people went into a panic state. But the wounded President kept asking only about the suit he was wearing. It was his only suit. The head of the richest country in the world makes do with just one suit, but that is not for us.”
Never mind that Ronald Reagan, a rich film star before he turned to politics, was always a dandy dresser, and wore only bespoke suits made by a tailor in Hollywood.
Javed Chaudhry, equally prominent, also writes in the Daily Express. Not too long ago he decided to comment on the state of “governance” in Pakistan. His thesis: when a state’s writ disappears the state itself soon disappears. He opened with a long reminder of the fate of the last Mughal Emperor, ending with a grand flourish before finally turning to contemporary Pakistan. There were six thousand soldiers with Bahadur Shah, Chaudhry declared, when Captain Hodson arrived at Humayun’s Tomb with only 90 soldiers. But the Emperor readily surrendered “his ancestors’ swords” to save his own life. And then “the ninety troopers of Hodson disarmed those six thousand Mughal soldiers and marched them back to the Red Fort. And there in the open, they hanged them one by one. Only those men survived for whom no rope was readily available to the gora force.”
Never mind if execution by hanging does not require a change of rope with every victim, or that Hodson could have as easily used a firing squad on the remaining few as was being done elsewhere in Delhi.
Dr. Safdar Mahmood, a most senior columnist, writes in the daily Jang. Recently he desired to inform his admirers that what mattered in human actions was jazba (emotion; sentiment). Let’s ignore that Iqbal had more profoundly expressed the same, invoking the concept of ‘ishq (passion). Let’s simply follow Dr. Mahmood, who opened his column thus: “The fact of the matter is that without jazba nothing great can be achieved in life, and no great service can one do to one’s community…. When, considering the leaders of the recent past, I seek an example for jazba Sir Syed Ahmad Khan lights my way….” He then gives several examples of Sir Syed’s all-consuming devotion to the cause of his college, ending with this anecdotal flourish: “Once he was trying to raise funds at a public meeting but the audience was not attentive. So he said, ‘When you go to enjoy a mujra you empty your pockets, but you give me the cold shoulder while I speak of the community’s cause.’ A wit in the audience shouted: ‘We’d empty our pockets for you too if you performed a mujra.’ Sir Syed, with his venerable white beard, immediately tucked his shirt into his shalwar and started dancing. What do you think then happened? People took out whatever money they had in their pockets and put it in Sir Syed’s hands.”
Never mind that aside from there being no record of such an incident in any biography of Sir Syed, the men who wear shalwars never tuck their shirts inside when they dance, for that would be considered obscene.
Orya Maqbool Jan, another stalwart, writes for the daily Dunya. Concerned about the rate of literacy in Pakistan, he recently wrote a piece based on a 2012 UNESCO report that suggested that the cohort of Pakistanis between the ages of 25 and 44 had a higher percentage of illiterates (57%) than the next older cohort of those between 45 and 54 (46%). And compared to both, the Pakistanis between the ages of 55 and 64—i.e. those born between 1948 and 1957—had the lowest number (38%). The blame for the decline, according to Jan, lay on those who encouraged and patronized education through the medium of English—a dubious conclusion, though certainly not inane. However, Jan couldn’t resist a grand finish: “When in 1857 the British expanded their authority over the whole of India they put into place their Western educational system in order to destroy the existing system. In 1879, Gazetteers were written for every district. They are preserved in the Punjab Archives. According to them in 1879 the percentage of literacy among Indians was 90%. When the British left this country in 1947, that rate had come down to 15%. Education in this country was first destroyed by the ‘White Angrez,’ and now the same is being done by the ‘Black Angrez.’”
Never mind that by that logic Pakistan began in 1947 with a population that was only 15% literate, and then in eight years that number more than quadrupled—thanks, no doubt, to bureaucrats like Mr. Jan—before nefarious English-lovers started the decline.
All four pieces of writing are lively; they are well-intentioned too. So why couldn’t their authors resist concocting “facts” when there was actually no need to do so? Why couldn’t they resist making a rhetorical flourish even at the cost of truth? Is it because they believe an anecdote, even an invented one, will be more convincing to their readers than a stark statement based on rationality and logic? Or is it simply because they know they can do it—that they can get away with anything in Pakistan so long it is in Urdu?
Re my comment above concerning Mr. Jan, I’ve been made aware of a confusion on my part. What he apparently meant to say was that of the people born between 1948 and 1957 62% became ‘literate’—not educated, merely literate—by 2012—i.e. over a period of 65 years.
Readers can draw their own conclusions about progress/decline and the achievements of the educational bureaucracy. (3 February 2014)
Dear Naim Sahib,
I tried to answer this question a while back in the context of classical music in Pakistan:
“What had gone wrong? What had brought things to such a pass? Given the unquestionable stature of the artist, my best guess, leaving aside the possibility of senility, is it was the artist’s perception of the audience and what it needed to stay engaged.”
Regards, Anjum Altaf
Leave a comment